Berlin, 1932. A group of bohemian friends struggle to respond as Adolf Hitler and the Nazi Party rise to power. Watching their world unravel around them from the uncertain safety of Agnes Eggling’s apartment, these artists, activists, and idealists grapple with the responsibility of making moral choices in a time of vanishing options. Hailed by the Chicago Tribune as “unabashedly political, thought-provoking, and a little scary,” A Bright Room Called Day by Pulitzer Prize and Tony Award–winning playwright Tony Kushner (Angels in America) reverberates across time, from Germany’s Weimar Republic to contemporary America, posing timely questions about citizenship, resistance, and complicity.

Tyranny, demagoguery, and absolute power are disrupted in Jean Anouilh’s modern adaptation of Antigone, written in 1940s France as a form of resistance against Nazi occupation. In an act of treason punishable by death, Antigone acts on her moral duty to bury her brother, defying the will of the ruthless King Creon. What transpires is a timeless exploration of when to accept authority in order to maintain the status quo and when to confront it, no matter the consequences.

The Nether is an immersive online wonderland where anything is possible. The mysterious “Papa” holds court in his virtual garden, a sensory utopia where patrons may indulge their darkest fantasies under digital anonymity and without real-world consequences. But when Detective Morris investigates Papa’s dealings, she uncovers a series of darkly unsettling acts which throw morality, the law, and human nature itself into question. Hailed by The Independent as “a gripping and deeply disconcerting look at the Internet and its role in one of the most disturbing issues of our time,” Jennifer Haley’s science fiction crime drama The Nether tackles the impact of technology on human relationships, identity, and desire.